When is the last time you told a story? Maybe you did it to someone in the cafe line, maybe to your mechanic when trying to explain your car’s dunk thunk dunk sound? Maybe you even told one of a story from your own life to a younger person to prevent them from making a mistake. Certainly as a memoir writer, you’re storytelling. But are your stories the right ones? Have you left out anecdotes that could sell your manuscript?

Image credit: Susan Cushman’s site
Here’s what got me thinking about telling stories. Thrice in the last week I’ve heard people from various professions discuss the importance of stories: Former President Bill Clinton when talking to people in foreign service, my architect friend when talking to design students, and “Godfather of Creative Nonfiction” Lee Gutkind, speaking to a roomful of hopeful writers. Clinton encouraged foreign service students about the things they might experience by demonstrating them with anecdotes. The architect edified students that they might sell their designs better, in theory or practice, by creating stories about their composition or about their future uses. Gutkind told the story of how he earned his moniker. (It turns out to have originated from a scathing story in Vanity Fair, comparing him to a Mafia hound out to counterbalance fiction’s overabundance by awakening the world to the power of narrative nonfiction.) That story worked well. I’d always thought he had given himself that moniker; knowing he hadn’t added to his credibility.
The fact that storytelling has arisen in this many situations of late tells me two things: people need to start speaking more deeply and more often to each other; writers are just as important as they ever were. No riches for us, though; there is no direct correlation between storytelling and thickening someone else’s bottom line.

Check out Laurie Rosin’s site for more memoir tips
Laurie Rosin, AKA TheBookEditor.com, has fantastic information for memoirists, however, about how to tell your story in a way that adds to your own bottom line. Consider these points:
- What omissions are you glossing over that leave gaping holes in your story? Readers know when you’re not telling the truth or omitting over something significant.
- How can you be more like Humbert Humbert? That is, how can you reveal the authenticity behind your motives in the story?
- What battles that would lend deeper meaning to your coda have you omitted from the story?
Jerry Waxler offers tips on ordering the sequence of events in memoir. Hint: it’s not always linear.
What’s the last anecdote you told? What tips do you have for storytelling in memoir?
HS
